
Daijiro Hama Japan, 1984
Daijiro introduces us to the developing character of Puman: a seemingly solitary (self) portrait. Puman represents a side of him that is closely connected to nature. Muku, as he likes to call it: the pure and unspoiled.
Moreover, looking into the spotless eyes of Puman we can find a part of ourselves. Is it possible that everyone houses a Puman? Or is that a result of the recent global changes? We have seen ourselves a lot lately…